Charley Crockett on the Bud Light Seltzer Beach Stage
Tickets Sold Out
Doors 6:00 Show at 7:00ish…
Ages 21UP or with Parent
If for any reason this show needs to be moved in doors…Only the first 400 tickets will be valid for entry…Out door only tickets will be marked before purchase and automatically refunded to the Credit Card used to purchase!
If for any reason this show needs to be moved in doors…Only the first 400 tickets will be valid for entry…Out door only tickets will be marked before purchase.
The new album from Charley Crockett is perhaps even more potent proof of his literal heartbreak than the scar on his chest. After undergoing open heart surgery that saved his life, Charley says he considered calming down for “just a minute” but once he recovered he did just the opposite. He states boldly with one eyebrow raised, “I wanted to make an album that would change the entire conversation about country music.”
That album is Welcome to Hard Times, an aptly-named collection that perfectly fits these troubled days even though it was made just before the pandemic hit. The music was shaped by his heart issues and producer Mark Neill’s desire to make “a dark gothic country record.” Charley certainly knew how to deliver that. “I think you can hear that deep, dark sadness in this record,” he says, “but I think it’s the kind of darkness that will uplift others.”
Charley says Neill, the acclaimed producer of albums such as The Black Keys’ Brothers, JD McPherson’s Let The Good Times Roll, and many others, is the only person who could have brought his vision to life. “Mark understood where I wanted to take the music. He heard what I had written and he said: ‘This is a movie. We have to tell this story.’”
Welcome to Hard Times is certainly cinematic. In fact, the title song shares its name with a 1968 Western starring Henry Fonda that Crockett admires. Twelve originals and one perfect cover create a world populated by outlaws, prisoners, gamblers—all of them suffering heartbreak. It’s also a sonic feat that strikes that precarious balance of being both retro and contemporary and brings in elements of piano-driven honky-tonk, soul, and blues to complement a sound that is completely country. “I wanted to figure out how to make something Gulf Coast, Country, and Western, simultaneously,” he says. “I think that real country music—in the 50s and 60s, especially—was always eclectic,” he says. “Rhumba beats behind a honky tonk band, incorporations of the blues, soul, Caribbean, cha-cha. Eclectic mixes were going into making those records.”